Mulan, often hailed as the more feminist of the Disney princesses, certainly has some problems. While I primarily agree with the sentiment that Mulan is empowered and a bad ass, let’s not forget that the film opens with a number that places Mulan’s only value in her ability to find and keep a husband. “Girl” is regularly used as an insult in this film, and the song “I’ll Make A Man Out Of You,” while catchy, is certainly enforcing gender expectations. While gender norms are oppressive towards women, they are oppressive towards men as well. The need to be tough and physically fit can be quite the burden on our men.
Another cool thing about Mulan is she sheds all preconceived notions of a princess. She is articulate, loves being educated, strong willed, and disobedient. It’s refreshing after watching white disney princess films.
The representation of the Chinese race is problematic in this film and is manifested in a few characters. Chi Fu, the advisor sent with Shang and Mulan to defeat the Huns, is a nasty caricature of Chinese stereotypes. His accent is heavy, his animation is tacky, his voice actor is putting on airs, and his is highly sissified and used for comedic relief against the dark tones of the film. Another character that is problematic the is Emperor of China himself. While he is meant to be portrayed as a fair and trustworthy ruler, he spouts “words of wisdom” that you would see printed on placemats at a Chinese restaurant in downtown Lansing.
My favorite part of the film, though, is during the number “I’ll Make A Man Out Of You” and Mulan kicks the butt of every male soldier.
This is a Disney film without a single person of color.
First and foremost, this film perpetuates the belief that womenare out to get each other in terms of competing attractiveness and youth from the get go. A jealous, older, widowed step mother plots to murder her “beautiful” step daughter on the basis of a perceived threat. Not to mention the fact that a freaking mirror relayed the message to the queen that she is no longer the “fairest in the land.” This is a control tactic patriarchy uses against women. Oppression 101, make sure the oppressed groups do it to themselves.
Snow White is another princess that embodies the so called cult of womanhood. She is forgiving, kind, thin, attractive to men, gentle, nurturing, etc. (At the very least she is not blonde). This is truly an unfair standard for our young girls to ascribe to. Women are people and not 1 dimensional things. We have thoughts, feelings, passions, tempers, etc, and that’s what make us human. We’re quite complicated, but all humans are. So why are women constantly depicted as this one standard?
This film dabbles in the idea of “true love’s kiss” and finding a man. Which begs the question, is this story about women really about women, or is it about the men that save the women from each other? Also, if Snow White is really dead (or in a death like slumber), the prince, like, kisses a corpse? Gross…?
This is a cute video created by YouTube user AVByte that criticizes Disney’s princess stereotype. The princesses featured in the video (Jasmine, Ariel, Aurora, Cinderella, Snow White, Belle) are lectured by Queen Elsa on their refusal to critically think about their story lines. Princesses such as Pocahontas, Mulan, and Merida are omitted, perhaps because their story line does not revolve around finding love but on other factors and AVByte’s criticism might not have held up.
This video exposes many of the problems that are prevalent within the older princess films. While progress has been made with films such as Frozen and Brave, old princess tropes are still prevalent and surround our young girls. Even though Snow White and Cinderella are older films, I grew up watching them and even though I am now in my twenties I still see young girls enjoying them. The presence of criticism such as this cutesy YouTube clip is uplifting, however, because videos such as this can spur discussion among mothers and their daughters about what being a girl and a woman means. And even newer Disney princess films such Tangled fall under this trope, with Rapunzel being saved from Mother Gothel by Flynn Rider and never given the chance to grow outside of someone else.
Girls need to recognize that they need to develop as themselves first, then worry about falling in love. Love is an incredible human emotion and should be experienced by everyone one way or another, either between siblings such as in Frozen, family such as in Brave, between friends, or between those in a consensual relationship. Dialogue such as this video needs to exist to bring light to the fact that men are not the be all and end all. While these older stories may center around the woman character, the real story is about finding and keeping a man. So are the stereotypical Disney princess movies really about women? ‘Cause it really seems to revolve around men.
The purpose of this blog is to examine the different roles women play in children’s media – primarily in Disney films. Many criticisms of Disney exist in regards to representation of race and women. While I plan on exploring both of those topics on my own, I will also reflect on my childhood and how growing up in the so-called “Disney Renaissance” affected my perceptions and expectations of the world. As a white girl, I had no shortage of princesses to identify with. Belle and Ariel were two favorites of mine until Rapunzel came along in 2010 (in all honesty, however, my ALL TIME favorite Disney movie growing up was the Lion King).
I can’t help but wonder, however, who did little girls of other races have to identify with? Mulan, maybe Jasmine, maybe Esmeralda. But the pickings are slim and representations of their races are problematic for reasons I will get into later. We would be kidding ourselves to think that girls of color do not watch and subsequently are not influenced by Disney films.
So, how are women of color represented in Disney? How are they different from the white women? They act differently, dress differently, and almost seem to operate in a separate dimension than white women. For example, why is Mulan a soldier in full armor on screen, but only marketed to parents and girls in her kimono? Why is Jasmine dressed so scantily compared to the other princesses (not to mention how inappropriate her outfit is for an Arabic princess)? Why does Tiana spend the majority of The Princess and the Frog as a frog instead of as the black woman she is? In addition, I want to explore women of color’s erasure in Disney films. Why was there a charismatic chameleon but no women of color in Tangled? Why was there a talking snow man in Frozen but not a single woman of color in that film, either?
I will be re-watching Disney movies and investigating such dilemmas. I will be working with a feminist lens with which I am going to employ my knowledge of intersectionality within feminism. I will also be stressing the importance of presenting images to children they can identify with.